Hey, I'm Josh Brown. (obviously) I am a Telecommunications graduate from Indiana University and I pretty much live and breathe film and television. My letterboxd: letterboxd.com/joshuatbrown/ Books, graphic novels, stories, more stories, love it. Avid A.V. Club reader. Craft beer appreciator. Also, I am married to capapollo.tumblr.com, the moon of my life.

Don't post often. But I post what I like.

 

"We, Luthors, are made of pretty tough and definitely expensive material."

(Source: smallvillegifs)

me: *owns 264 unread books*

me: *buys 17 new books*

me: *rereads harry potter*

I worked with Mads first about 10 years ago in King Arthur, which was a very different kettle of fish, mostly spent on horses killing people painted blue. We were in Dublin for 6 months and my memory is patchy, but the one thing I definitely took away was that I’d want to work with him again with fewer horses and more acting. Followed his career since and for me he’s one of the best screen actors working anywhere. So the chance to sit opposite him and knock Bryan’s dialogue back and forth was incredible. He came onto the show after me and I was basically checking email every 5 mins hoping it would work out and I think it has. Good guy also. - Hugh Dancy

Yes, the very first thing I did abroad was a film called King Arthur. We were sitting on horses and killing blue people. […] Me and Hugh were two of the knights. So we were sitting for half a year on horseback and we became friends way back then. It’s just been a gift. We’re doing a show like this where you’re working so close together. It’s nice to be comfortable with each other, and that was just a gift that it turned out to be me and Hugh. - Mads Mikkelsen

(Source: hannibalsgifs)

pergus:

so i watched scott pilgrim vs the world again last night and the fact that im still picking up on things that i never saw before astounds me, like in this bus scene after the fight with matthew patel there’s a fucking bokeh filter on the front of the camera so when ramona is on screen all the out of focus bits are rendered as little “x”s and scott’s bits are little love hearts but when scott asks ramona if they’re dating now there’s a little ding from the bus as ramona’s turn to hearts like omg

the amount of attention to detail edgar wright puts into his films is absolutely baffling to me